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Sato the Rabbit

Sato the Rabbit

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Abrams & Chronicle Books:

Code: BK-3180
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In this surreal collection of short vignettes, we are transported to the world of Sato the Rabbit: a world very much like our own, yet one that is imbued with an added dimension of wonder and curiosity, in which ordinary objects and everyday routines become magical encounters.

“One day, Haneru Sato became a rabbit. He’s been a rabbit ever since.”  

With these surrealist, yet matter-of-fact opening lines, we are transported to a world very much like our own, yet one that is imbued with an added dimension of wonder and curiosity. In Sato’s world, ordinary objects and everyday routines can lead to magical encounters: a rain puddle, reflecting the sky, becomes a window that can be opened and peered through.

A walnut is cracked open to reveal a tiny home, complete with a bathtub and a comfy bed. During a meteor shower, Sato catches stars in a net, illuminating the path home for a family taking an evening walk. 

This whimsical tale is the first in a trilogy from Japan.

A 2022 Mildred L. Batchelder Honor Book
A 2021 Horn Book Fanfare Best Book of 2021
A Chicago Public Library Best of the Best Book of 2021
A 100 Scope Notes Most Astonishingly Unconventional Book of 2021
A Bank Street College of Education Best Book of 2022

Hardback
68 pages
213 x 191 x 16 mm

Author: Yuki Ainoya

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General Information

Pastoral and surreal, the seven short tales in this collection are a celebration of the senses, and of the harmony that can exist between a gentle creature such as Sato the Rabbit and the natural world. Whether it's a pillow of cool, fresh water offered to him for a nap by the spring on a blisteringly hot day, a fragrant floral air float to carry him and his dreams, a hole in his hat, through which he discovers a midsummer forest full of singing cicadas, or a moon basket, nature's offerings are a bounty to be marveled at and enjoyed. The second book in a whimsical trilogy from Japan, this collection of stories invites readers to embrace the wonders of nature, the transportive power of the senses, and the transformation of the imagination. Because, as Sato shows us, the beauty that we see in the world is actively created by the eyes which perceive it and the imagination that conceives it.

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